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Live recording from Sophiensaal in Warendorf (Germany), 04.10.2020
Giuseppe Tartini (1692-1770)
Pastorale for violin in scordatura and basso continuo op. 1:
III. Largo-Presto
NeoBarock:
Maren Ries (baroque violin in scordatura, Roger G. Hargrave after Gioffredo Cappa)
Ariane Spiegel (baroque violoncello, Ekkard Seidel after Antonio Stradivari)
Stanislav Gres (harpsichord, Bruce Kennedy after French models)
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Live in Prague, Trojský zámek, 07.09.2020
Pietro Andrea Ziani (1616 or 1620-1684)
Sonata seconda a tre voci: IV: Adagio (Opera settima, Venetia 1678)
NeoBarock:
Maren Ries (baroque violin)
Anna-Maria Smerd (baroque violin)
Ariane Spiegel (baroque violoncello)
Johanna Seitz (baroque triple harp)
Stanislav Gres (harpsichord)
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Live recording from Sophiensaal in Warendorf (Germany), 04.10.2020
Jean-Baptiste Barrière (1707-1747)
Aria: Largo
from Sonata a tre in D minor
(Livre III de sonates pour violoncelle et la basse continue, Paris 1739)
NeoBarock:
Maren Ries (baroque violin, Roger G. Hargrave after Andrea Amati)
Ariane Spiegel (baroque violoncello, Ekkard Seidel after Antonio Stradivari)
Stanislav Gres (harpsichord, Bruce Kennedy after French models)
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Live recording from Telgte, 14.12.2019
Anonymous (probably Nicolaus Adam Strungk, 1640-1700)
„Contrapunct sopra la Baßigaylos d’Altr.“
Fantasy on the chorale “Wie schön leuchtet der Morgenstern”
for violin and basso continuo
NeoBarock:
Maren Ries – baroque violin
Ariane Spiegel – baroque violoncello
Stanislav Gres – harpsichord
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Live recording from Cologne, 13.04.2019
Sonatas and Concertos by Schaffrath, Händel and Benda
NeoBarock:
Maren Ries – baroque violin/viola
Ariane Spiegel – baroque violoncello
Stanislav Gres – harpsichord
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Live recording from Rostock, 17.05.2019
Johann Sebastian Bach (1727-1756)
The Art Of Fugue | BWV 1080 | Contrapunctus 10 and 11
NeoBarock:
Maren Ries – baroque violin
Kerstin Linder-Dewan – baroque violin
Nazar Kozhukhar – baroque viola
Ariane Spiegel – baroque violoncello
Stanislav Gres – harpsichord
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Live recording from Vellern, 12.03.2020
From the program „Viola Concertata“
“The viola, how is it mistreated! This beautiful instrument, the effect of which is great in music, is generally treated by the most ignorant apprentices, or stupid old people!”
What an instrumental fate! With its “Viola concertata” program, NeoBarock proves that this does not have to be the case.
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Live recording from Groningen, 15.03.2014
Johann Philipp Kirnberger (1721-1783)
Trio in D-Minor | 1st Movement, Andante
Kirnberger is well known among music historians as music theorist. As a composer he was forgotten for a long time, undeservedly, as some of his compositions which are rediscovered and played by NeoBarock may prove.
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Live recording from Vellern, 01.02.2019
NeoBarocks “Frog’s Concerto”
An interactive concert to discover, try out and participate. Show what you’ve got, and before you know it, you’ll be part of a classic NeoBarock concert.
NeoBarock:
Maren Ries – baroque violin and concept
Anna-Maria Smerd – baroque violin
Ariane Spiegel – baroque violoncello
Stanislav Gres – harpsichord
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Music Of Solitude
Bach’s Art of Fugue as a Melopoem
arranged for strings by NeoBarock
with texts by Robert Schneider
„Robert Schneider’s texts are interwoven with the music to a unified fascinating whole – a ‘Gesamtkunstwerk’. … artistic mastery that is undoubtedly part of a divine order.“
(Südkurier)
ECHO Classic – Price 2014